While these expressions, especially the second one, highlight the misery of those who have neglected the ancestral ways, it also evokes a wry laughter. There is an elaborate use of rhetorical questions which are being repeated for emphasis sake. This figure of speech involves the attribution of human nature or character to animals, inanimate objects, or abstract notions. Poem Analysis With all seriousness of purpose, Birago Diop expresses concern over the living’s lack of regard for dead ancestors which he holds in very high esteem. Diop received literary awards in 1964 for Les Contes d’Amadou Koumba (1947; Tales of Amadou Koumba) and Les Nouveaux Contes d’Amadou Koumba(1958), both reprinted in the 1960s, and for Contes et lavanes (1963; Tales and Commentaries). Certainly, this reasoningthese similarly the initial capitalization of the word “Sons”. Another literary device used in the poem is synecdoche, which involves the substitution of a part of something for the whole thing. By driving the message very well and simultaneously providing enteriins. Who indeed will hear them without laughter? Analysis of the poem "vanity" by Birago Diop . However, it may be a strategy to express different shades of the same idea. Analyse the poem "vanity by birago diop"? Generally, the poet also employs a tone of lament and warning. This poem is written by David Diop - A Black African who was born in France in 1927. The Poem Vanity by Birago Diop . Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. In fact, he likens such kind of anger to a growing tumour, which is a self-inflictedself-nurtured pain. Reading Time: < 1 minute Birago Diop: Vanity. It was af era of craze for white values and civilization, as well as conscious attempts to denigrate African es or look down on the few who treasured it among the new educated elites. RECOMMENDED: Vanity - Birago Diop Summary and Poetic Analysis [African Poetry]. Questions on the poem Vanity 1. The pain and misery referred to are however not physical ones, but psychological ones. This is direct comparison using the words “like” or “as”. The ancestors also leave behind them signs in the natural elements as guides to the living. ( Log Out / Backwardness – The backwardness in politics and administration, education, health and economy of Africa is bitterly expressed in the poem by the poetic persona when… The poem is made up of five stanzas, highly embellished with imagery and rhetorical questions. th us when grappling with our self-inflicted wounds, people will’simply laugh at us. WASSCE Study Guides. C) imposed on them by enemies. by Ralph Nyadzi. The poet, therefore, warns that if this trend is not promptly reversed, Africans stand the risk of becoming the laughing stock of others. style repeating what we have in the first and second stanzas, the poet rhetorically asks again whether there is anyone who will pay attention to our complaints and anger, which he seems to consider unjustifiable. The setting of the poem Africa, though it could be narrowed down to French West Africa or Senegal, the capital of French colonies specifically, where a lot of false citizens had in the sub-region, been made out The temporal setting is clearly the colonial era or pre-Independence period.It was a period when most of the new African educated elites, especially in French Africa, were eager to become French citizens and enjoy the perceived privileges which went with it. The Anvil and the Hammer: A Poem by Kofi Awoonor. Birago Diop was a Senegalese poet of African folktales and folklores who lived between 11 December 1906 and 25 November 1989.
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